Cenizo Journal Summer 2018 | Page 9

regret not taking this chance. “Instead of being mad and brooding over how life didn’t work out how you wanted, move! Go start again. You’re not a tree, you can move,” Laurie ascer- tained. The same applies to her new life in Zacatecas. She jokingly admitted that friends were taking bets on how long she would last before returning. Six months? A year? Their doubts only fuel her desire to make the transition work, but she can roll with the jokes. “We’re gonna have to see if Laurie has any self-discipline at all!” she roared back. It’s not a permanent goodbye to Big Bend. Laurie will be back frequently to visit her son, who will be attending class- es at Sul Ross State University; and to visit friends, and possibly even have an art show or start some international commerce. Zacatecas is filled with beautiful clothing and other crafts that, who knows, may find a market here one day, Laurie suggested. For now, she only knows for certain that she is looking for- ward to a different pace of life in a new place while focusing on her own art. “I am really eager to have time to work on my own work. I hope to improve great- ly,” she brimmed. Another thing Laurie knows? “Presidio will always be my home.” Laurie championed student artwork at the 2017 Big Bend C omic C on. Many of the students were new to art and this was their first show. more steps involved in throwing a block party, like securing permits and permis- sion first. She soon learned the ropes and con- tinued to make the Arts Fest happen. It’s all student driven, she explained. Students work on posters, flyers and dec- orations, and they display their own works for sale. “The kids sold food and cleaned up – everything was student- generated,” she emphasized. Laurie doesn’t exactly remember the year of the first fest, but said it’s been going strong since 2006 and has become a reflection of the area to a wider audience. Last year, the food competition fea- tured asado, a regional specialty that is not well-known outside of West Texas and Northern Mexico. Several cooks competed for bragging rights of whose recipe was the best. It also brings in great bands – there’s cumbia, mariachi, norteño, conjunto and dancing in the street. The city of Presidio has even begun to offer some financial backing for the undertaking. “Because of Laurie’s work, Presidio has an arts scene that reliably  draws upon excellent  home-grown talent, while also encouraging young local artists to go on and study art and enter careers that are art-related,” Mayor Ferguson remarked. “It brings life back to downtown,” Laurie beamed of the festival. But last year’s may be the last one organized with Laurie’s leadership. Since her son plans to fledge off to college this fall, Laurie saw an opportunity to do something she always wanted to do: focus on her own art. So, after over 20 years of living and loving in the area, Laurie is packing up for Zacatecas, Mexico to make a new start. “I want to live very simple,” Laurie stated. A move to Zacatecas is her chance to start fresh at the drawing board. “Why do we accumulate so much stuff?” she mused. Laurie is getting rid of everything in preparation for the big move, set to happen around the middle of June. “I’m bringing all art supplies, clothes, and a bed, one pot, one pan,” she said. Her desire is to slow down and allow room for her art to bloom. “It’s time to reinvent myself,” she said. She has a couple friendly contacts and a place to land when she gets there. She is not entirely sure what to expect, and she knows it will be a challenge, but she says all her years in Presidio have pre- pared her for it. “Zacatecas is a huge, colonial, very beautiful city, almost like stepping into Europe, with cathedrals, architecture, galleries. It’s also plagued by cartels,” Laurie conceded, but she thinks the city is making a comeback. Besides, with the changing dynamics at schools here, and the growing concerns for student and teacher safety, Laurie wryly reasoned that she might as well take her chances with the cartel. The recent school shooting in an art classroom in Santa Fe, Texas made Laurie feel particularly vulnerable. She hated having to talk through possible “what if” scenarios with students. “It’s dangerous everywhere. Everywhere,” she maintained. She doesn’t want to look back and Virgen de G uadalupe is one of several public artworks on display in Presidio, painted by Laurie. Cenizo Third Quarter 2018 9