Cenizo Journal Summer 2012 | Page 18

Voices of the BIG BEND Jim Glendinning continues the tradition of his popular radio interviews from “Voices of the Big Bend,” an original production of KRTS, Marfa Public Radio. The program continues to be broadcast occasionally throughout the region at 93.5 FM. Story and photographs by Jim Glendinning CATFISH CALLAWAY Gary Callaway was born on May 26, 1947 in Houston to Marsh and Margaret Callaway, the youngest of four children. His father had been a teacher before becoming a printer. “I had a swell time, growing up” is how Catfish, the name he is known by in the Big Bend, describes his childhood. He attended Bellaire High School but best remembers outdoors activities like riding his bike along the bayou and canoeing with his local Boy Scout troop. After high school he moved in 1966 to Wharton Junior College as an arts major. He next moved to North Texas State University (1968-70), where he joined the Drama Club. Appearing on stage appealed to him. “Applause was the whole deal,” he says of the experience. He had an exceptional teacher in Dr. Stanley K. Hamilton, “the best director I ever had.” He was hooked. In 1970 Catfish married fellow student Helen Weicker, whom he later divorced, and he subsequently lived for a time in Houston with sustainable gardening pioneer Camille Waters. During the 70s Catfish put into prac- tice what he had learned at college, form- ing a theater group in Madrid, N.M. in 1970 followed by work with the Reunion Theater, behind the Alley Theater, in Houston from 1973 to 1978. The 90-seat theater, with a mixed bag of repertory plays, was the darling of the local press and seats were usually sold out. The core group, however, decided to split, and the venture closed. Meanwhile, following his first river- rafting experience with White Water Experience in 1976, he became a Far Flung Adventures river guide in 1978, one of only four. He subsequently 18 CATFISH CALLAWAY Terlingua worked with Far Flung from 1978 to 1992 in New Mexico, Colorado, Arizona and Mexico. He found it easy to be a boatman, combining entertain- ment, cooking and boat skills. It was on the river he obtained his nickname from Far Flung’s John Morelock, known as “Wild Man,” who on a three-day river trip called him “Catfish, all mouth and no brains.” Reverting to his earlier stage career, he staged The Ballad of the Sad Café with Sarah Bourbon in 1989, his first play since Houston, and was hooked again. Forming a nonprofit company in 2000 arose out of a dare by Nola Lafayette of Terlingua, a fellow theater enthusiast. Conditions were primitive and the budg- et low, as demonstrated by the company name, “Last Minute, Low Budget” pro- ductions. Free use of a building for per- formances was generously provided by Cenizo Third Quarter 2012 EVA CALDERON Alpine landlady Delia White of Terlingua. The company grew, and it staged three or four productions annually through 2010. With a small cast, a leaky building and almost no funds, the enterprise grew and consolidated. The positions of direc- tor rotated; sometimes it was Catfish, sometimes Martha Stafford, Scott Watkins or Trevor Hickle. Looking ahead, the group plans a move to a permanent site nearby under the name Mercury Performing Arts Center, which they intend to share with other performing- arts groups. If past efforts as anything to go by, this talented and determined troupe will have new digs in three or four years. EVA CALDERON Born in Ojinaga, Chihuahua on Oct. 18, 1962, Eva Martinez was the youngest of five daughters of Jesus Martinez, who LARRY FRANCELL Fort Davis worked in the local flour factory, and Felicitas, the homemaker. Three of her sisters married early and left for the United States; Eva was an aunt at age 3. She passed her school exams with little difficulty, and she loved folklorico dancing. At 18 she became an instructor in a community-service program for two years in remote villages near Manuel Benavides, 55 miles from Ojinaga and reachable only on horseback. This was her first time away from home, living under hardship conditions and coming into contact with poor families who had nothing. Speaking of those days she says, “You have to use everything you have; I learned how to make things last.” She persevered and also started taking sum- mer courses in business administration at the Tech- nological Institute of Juarez. This course developed into a four-year,