Cenizo Journal Spring 2010 | Page 8

Victor J. Smith: Human Dynamo by Melissa Crowfoot Keane Photo courtesy Archives of the Big Bend, Bryan Wildenthal Memorial Library, Sul Ross State University, Alpine, Texas Professor Victor J. Smith, circa 1951 M any of those who established Sul Ross State University are remembered in the names of campus buildings, such as presidents H. W. Morelock and Bryan Wildenthal. But the name of one of the most dynamic forces on the campus has slipped into obscurity. Known as “Mr. Sul Ross” throughout the first half of the 20th century, Victor J. Smith con- tributed much to the landscape and spir- it of Sul Ross. From his arrival in Alpine in 1919 until his death in 1956, Professor Smith guided students, designed build- ings, explored the region’s archeology and attracted national recognition with the Big Bend Memorial Museum (known today as the Museum of the Big Bend). Raised and educated in Austin, Victor James Smith moved to San Angelo in 1912 to teach industrial arts. During his four years in San Angelo, Smith met and married the domestic science teacher and became the first principal of the first junior high. In early 1920, as the first Sul Ross building took shape east of the little town of Alpine, the new college president hired Smith away from his San Angelo position to oversee construction of the new normal school. Smith arrived in Alpine and took over construction of the first two build- 8 ings on the Sul Ross campus, the Main Building and the college president’s house. He would repeat the role of construc- tion overseer many times before his retire- ment. Between 1920 and 1951, most of the buildings constructed on the Sul Ross campus bore “the special marks of the ever-active hand of Victor J. Smith (who) drew the plans, called for bids, helped in approving the contract and then super- vised the construction,” according to Sul Ross historian Clifford B. Casey. Several of Smith’s buildings are famil- iar to today’s students, including a gym- nasium (1928), the library (1931), a museum (1937) and Lawrence Hall (1939). Others have been demolished, included a bowling alley, band hall, cafe- teria, student union and student cottages. Equal in importance to the design of the buildings, Smith sketched the future layout of the campus along a central mall. Off-campus, Smith applied his tal- ents to the Lodge and the Outdoor Theater in Kokernot Park, the wrought iron gates at Kokernot Field and the First Methodist Church. Smith became a registered architect in Texas in 1938. A story told about the construction of the cafeteria reveals Smith’s energy and skills. Modern college campuses of the 1930s were adding cafeterias to the list of Cenizo Second Quarter 2010 student amenities. Within two months after college president Morelock sug- gested to Smith that Sul Ross might ben- efit from such a facility, Professor and Mrs. Smith designed, built and began operating a campus cafeteria. Smith enlisted the help of his students in fabri- cating the dining room furniture, kitchen work tables and sinks. Perhaps more significant than the creation of the Sul Ross campus were Professor Smith’s enthusiastic interac- tions with the students and his contribu- tions to the emerging culture of the new normal college. As professor of industri- al education, Smith first acquired war surplus machinery and equipment for the Sul Ross campus and then offered classes in a wide variety of manual arts: mechanical and architectural drawing, carpentry, furniture design, cabinet work, concrete construction, metal work and gasoline engines. After class, he helped the students build floats and make posters. In the first years of the new school, Smith’s fertile brain suggested the Bar- SR-Bar as the school emblem, and its resemblance to a branding iron led to the adoption of The Brand as the name of the yearbook. In the spring of 1925, Smith’s manual arts students prepared an outline of the emblem, and in a stu- dent assembly, he recruited another 50 students (20 percent of the student body) to haul several tons of boulders up the hillside behind the college to create the 50-foot-by-100-foot Bar-SR-Bar emblem. In addition, Smith suggested the name of the student paper, and the description of that incident reveals Smith’s unassuming personality. During a 1923 meeting pondering a name for the student newspaper, Victor Smith gazed out the window. Quickly, he made a pencil sketch of the ridge of moun- tains. Below the sketch he wrote “The Skyline.” Silently, he handed his drawing to the committee chairman, who shared it with the rest of the attendees. The committee recommended Smith’s sug- gestion to President Morelock who selected The Skyline over the second place choice, The Rossonian. The affection that students felt for Smith is evident in several yearbooks, and the yearbook staff dedicated the 1923 volume to Smith with these words: To the friend of the students, the faculty humorist, the man indispensable about the col- lege; to him who came as a pioneer to Sul Ross and has been such a tremendous factor in its making, we, the students of ’23, in token of our unbounded and sincere appreciation of the man and his work, dedicate this, the third number of THE BRAND, to Mr. Victor James Smith.